| Stealing empire: P2P, intellectual property and hip-hop subversion A Haupt University of Cape Town, 2008 | 127 | 2008 |
| Static: Race and Representation in Post-apartheid Music, Media and Film A Haupt Static, 240, 2012 | 78 | 2012 |
| Black thing: Hip-hop nationalism,‘race’and gender in Prophets of da City and Brasse vannie Kaap A Haupt Coloured by history, shaped by place: New perspectives on coloured …, 2001 | 70 | 2001 |
| Reviving Soul(s): Hip Hop as Culturally Sustaining Pedagogy in the U.S. & South Africa HS Alim, A Haupt Culturally Sustaining Pedagogies: Teaching and Learning for Justice in a …, 2017 | 48* | 2017 |
| Hip-Hop in the age of empire: Cape Flats style A Haupt Isandla Institute, 2003 | 33 | 2003 |
| Hip-hop, gender and agency in the age of Empire A Haupt Agenda 17 (57), 21-29, 2003 | 27 | 2003 |
| Black masculinity and the tyranny of authenticity in South African popular culture A Haupt Power, politics and identity in South African media, 378-97, 2008 | 26 | 2008 |
| NEVA AGAIN: Hip Hop Art, Activism and Education in Post-Apartheid South Africa. Q Williams, A Haupt, HS Alim, E Jansen Ethnomusicology Review 22 (2), 2020 | 24 | 2020 |
| Part IV: Is Die Antwoord Blackface? A Haupt Safundi 13 (3-4), 417-423, 2012 | 24 | 2012 |
| Rap and the articulation of resistance: an exploration of subversive cultural production during the early 90's, with particular reference to Prophets of da City A Haupt University of Western Cape, 1995 | 24 | 1995 |
| “Kom Khoi San, kry trug jou land”: disrupting white settler colonial logics of language, race, and land with Afrikaaps HS Alim, QE Williams, A Haupt, E Jansen Journal of Linguistic Anthropology 31 (2), 194-217, 2021 | 21 | 2021 |
| Redemption to a kwaito beat: Gavin Hood's Tsotsi IM Rijsdijk, A Haupt Journal of the musical arts in Africa 4 (1), 29-46, 2007 | 14 | 2007 |
| Race, audience, multitude: Afrikaans arts festivals and the politics of inclusion A Haupt Muziki: Journal of Music Research in Africa 3 (1), 16-27, 2006 | 13 | 2006 |
| Stifled noise in the South African music box: Prophets of da City and the struggle for public space A Haupt South African Theatre Journal 10 (2), 51-62, 1996 | 13 | 1996 |
| It’s Bigger than Hip Hop A Haupt, QE Williams, HS Alim Journal of World Popular Music 5 (1), 9-14, 2018 | 12 | 2018 |
| Citizenship without representation? Blackface, misogyny and parody in Die Antwoord, Lupé Fiasco and Angel Haze A Haupt Communicatio 39 (4), 466-482, 2013 | 11 | 2013 |
| The technology of subversion: From digital sampling in hip-hop to the MP3 revolution A Haupt Cybersounds: Essays on Virtual Music Culture, 107-127, 2006 | 11 | 2006 |
| Die Antwoord’s revival of blackface does South Africa no favours’ A Haupt The Guardian 22, 2012 | 10 | 2012 |
| Interrogating Piracy A Haupt Postcolonial Piracy, 179, 2014 | 9 | 2014 |
| Queering Hip-Hop, Queering the City: Dope Saint Jude’s Transformative Politics A Haupt M/C Journal 19 (4), 2016 | 8 | 2016 |
