| Citizen journalism and moral panics: A consideration of ethics in the 2015 South African xenophobic attacks S Mpofu, SB Barnabas African Journalism Studies 37 (4), 115-136, 2016 | 23 | 2016 |
| Picking at the Paint: Viewing Contemporary Bushman Art as Art SB Barnabas Visual Anthropology 23 (5), 427-442, 2010 | 14 | 2010 |
| Engagement with Colonial and apartheid narratives in contemporary South Africa: A monumental debate S Barnabas Journal of Literary Studies 32 (3), 109-128, 2016 | 13 | 2016 |
| Kom ‘n bietjie kuier: Kalahari dreaming with the Khomani San K Finlay, S Barnabas African hosts & their guests: Cultural dynamics of tourism, 137-152, 2012 | 12 | 2012 |
| Smaller lens, bigger picture: Exploring self-generated cellphilms in participatory research C Watson, S Barnabas, K Tomaselli What's a Cellphilm?, 35-49, 2016 | 11 | 2016 |
| I paint therefore I am?: an exploration of contemporary Bushmen art in South Africa and its development potential. SB Barnabas | 11 | 2009 |
| Shifting representations of the Bushmen K Finlay, S Barnabas Cultural Tourism and Identity, 71-83, 2012 | 10 | 2012 |
| KhoeSan identity and language in South Africa: Articulations of reclamation S Barnabas, S Miya Rethinking Khoe and San Indigeneity, Language and Culture in Southern Africa …, 2022 | 9 | 2022 |
| Why is our voice not being heard by developers? Development as empowerment V McLennan-Dodd, S Barnabas Cultural Tourism and Identity, 137-146, 2012 | 9 | 2012 |
| Heritage-making and the dilemma of multivocality in South Africa: a case of Wildebeest Kuil SB Barnabas International Journal of Heritage Studies 22 (9), 690-701, 2016 | 8 | 2016 |
| Painting our portraits: The state of contemporary San art in South Africa and its development potential, using! Xun and Khwe art as a case study WI van de Weg, S Barnabas Critical arts 25 (2), 282-295, 2011 | 7 | 2011 |
| Re-imagining communication in Africa and the Caribbean HS Dunn, D Moyo, WO Lesitaokana, SB Barnabas Palgrave Macmillan, 2021 | 5 | 2021 |
| Heritage-making at the Wildebeest Kuil Rock Art Tourism Centre, Northern Cape: an exploration. SB Barnabas | 5 | 2015 |
| Biesje Poort Rock Engravings, Northern Cape: Past and Present ME Lange, M Magongo, S Barnabas Courage of//Kabbo: Celebrating the 100th Anniversary of the Publication of …, 2014 | 5 | 2014 |
| Indigenous hip-hop: Digital media practices among youth of the south african san people SB Barnabas, I Bodunrin Re-imagining Communication in Africa and the Caribbean: Global South Issues …, 2021 | 4 | 2021 |
| “When We Are Laughing Like This Now, We Are Also Being Recorded by Them”: Eliamani's Homestead and the Complicity of Ethnographic Film SB Barnabas, V Wijngaarden Visual Anthropology Review 35 (2), 187-198, 2019 | 3 | 2019 |
| According to the influencee: A qualitative investigation of factors informing influencee engagement with influencers S Miya PQDT-Global, 2021 | 1 | 2021 |
| Re-imagining Communication in Africa and the Caribbean:‘Releasing the Psychic Inheritance’ HS Dunn, D Moyo, WO Lesitaokana, SB Barnabas Re-imagining Communication in Africa and the Caribbean: Global South Issues …, 2021 | 1 | 2021 |
| Tying a (rain) bow at the end: Controversial representations of Krotoa from text to film SB Barnabas, AM Jansen van Vuuren Journal of African Cinemas 12 (1), 31-45, 2020 | 1 | 2020 |
| The Intermittent Researcher and the Marginalised Research Community: Reflections of Research Praxis from Two Studies Conducted amongst the !Xun and Khwe San SB Barnabas Southern Hemisphere Ethnographies of Space, Place, and Time., 119–136, 2018 | 1 | 2018 |
Shepherd Mpofu (PhD)Associate Professor of Media, Communications and SocietyVerified email at unisa.ac.za
