| Crime fiction, South Africa: A critical introduction S Naidu Current writing: Text and reception in Southern Africa 25 (2), 124-135, 2013 | 33 | 2013 |
| Women Writers of the South Asian Diaspora: Towards a Transnational Feminist Aesthetic? S Naidu Tracing an Indian Diaspora: Contexts, Memories, Representations, 368-391, 2008 | 21 | 2008 |
| Fears and desires in South African crime fiction S Naidu Journal of Southern African Studies 39 (3), 727-738, 2013 | 19 | 2013 |
| South African crime fiction: sleuthing the State post-1994 S Naidu, E Le Roux African identities 12 (3-4), 283-294, 2014 | 14 | 2014 |
| Crimes against nature: Ecocritical discourse in South African crime fiction S Naidu Scrutiny2 19 (2), 59-70, 2014 | 14 | 2014 |
| The myth of authenticity: folktales and nationalism in the ‘new South Africa’ S Naidu Scrutiny2 6 (2), 17-26, 2001 | 13 | 2001 |
| Vrou is Gif: The representation of violence against women in Margie Orford’s Clare Hart novels L Vincent, S Naidu African Safety Promotion: A Journal of Injury and Violence Prevention 11 (2 …, 2013 | 12 | 2013 |
| Sherlock Holmes in context S Naidu Springer, 2017 | 9 | 2017 |
| Writing the violated body: representations of violence against women in Margie Orford’s crime thriller novels S Naidu Scrutiny2 19 (1), 69-79, 2014 | 9 | 2014 |
| Crime travel: a survey of representations of transnational crime in South African crime fiction S Naidu Journal of Commonwealth and Postcolonial Studies, 2016 | 8 | 2016 |
| A survey of South African crime fiction: critical analysis and publishing history S Naidu University of KwaZulu-Natal Press, 2017 | 7 | 2017 |
| Three tales of Theal: biography, history and ethnography on the Eastern Frontier S Naidu English in Africa 39 (2), 51-68, 2012 | 7 | 2012 |
| The emergence of the South African farm crime novel: socio-historical crimes, personal crimes, and the figure of the dog S Naidu English in Africa 43 (2), 9-38, 2016 | 6 | 2016 |
| Race and ethnicity S Naidu The Routledge Companion to Crime Fiction, 111-119, 2020 | 5 | 2020 |
| A Survey of South African Crime Fiction S Naidu, E Le Roux Analysis and Publishing History, 2017 | 5 | 2017 |
| ‘That ever-blurry line between us and the criminals’: African Noir and the Ambiguity of Justice in MŨkoma wa NgŨgĨ’s Black Star Nairobi and Leye Adenle’s When Trouble Sleeps S Naidu Forum for Modern Language Studies 56 (3), 331-346, 2020 | 4 | 2020 |
| The function of evil across disciplinary contexts R Barton, J Casey, C Cheng, O Coulomb, M Duval, J Folio, C Fowler, ... Lexington Books, 2017 | 4 | 2017 |
| I don’t belong nowhere really’: The Figure of the London Migrant in Dan Jacobson’s ‘A Long Way from London’and Jean Rhys’s ‘Let Them Call It Jazz S Naidu, A Thorpe English Academy Review 35 (1), 26-37, 2018 | 3 | 2018 |
| Teaching Postcolonial Crime Fiction S Naidu Teaching Crime Fiction, 83-98, 2018 | 3 | 2018 |
| Losing the Plot: Crime, Reality and Fiction in Postapartheid Writing, Leon De Kock/Diaspora and Identity in South African Fiction, JU Jacobs S Naidu English in Africa 45 (2), 133-139, 2018 | 2 | 2018 |
