South African drama and theatre heritage (part I): a map of where we find ourselves M Keuris, L Krüger South African Theatre Journal 27 (1), 19-31, 2014 | 8 | 2014 |
South African drama and theatre heritage (part II): what does the future hold? M Keuris, L Krüger SATJ: South African Theatre Journal 27 (2), 86-94, 2014 | 2 | 2014 |
'Stop Putting Words in my Mouth!': Undermining the Binary between the Actual and the Fictional L Krüger New Theatre Quarterly 32 (3), 244-255, 2016 | 1 | 2016 |
Skrapnel (Willem Anker) L Krüger Tydskrif vir letterkunde 49 (1), 195-196, 2012 | 1 | 2012 |
Winterbach’s Spyt and Scholtz’s production: An expression of a postmodern impasse L Krüger Tydskrif vir Letterkunde 57 (2), 37-47, 2020 | | 2020 |
Die perspekssluier tussen toe en nou L Krüger Reza de Wet: Die dramaturg as dromer - 'n huldiging, 175-193, 2020 | | 2020 |
Albertyn lewer’n onskatbare bydrae tot die Afrikaanse drama L Krüger Literator 40 (1), 2, 2019 | | 2019 |
Nicola Hanekom se In glas: Die donker nadraai van onvervulde begeerte L Krüger Literator 40 (1), 2, 2019 | | 2019 |
Authenticity on the postmodern stage: Betrayal, The Real Thing and Closer L Krüger | | 2018 |
(In) dependent meaning: Representations of addiction and recovery in selected poems produced in a rehabilitation centre A Pretorius, A Carolin, R Fourie, L Krüger Literator (Potchefstroom. Online) 38 (1), 1-12, 2017 | | 2017 |
The Shadow of the Hummingbird, Athol Fugard: book review L Kruger Tydskrif vir Letterkunde 53 (1), 275-276, 2016 | | 2016 |
“Wie sal ons onthou?”: Die gehoorlid se ongemaklike posisie in Deon Opperman se “Tree aan!” L Krüger LitNet Akademies 10 (3), 418-458, 2013 | | 2013 |
Subversion versus Inversion: The Loss of the Carnivalesque in Janet Suzman's The Free State L Krüger, H Viljoen, M Wenzel Journal of Literary Studies 29 (3), 82-98, 2013 | | 2013 |
The Visual Representation of the Boundary Between Past and Present L Krüger Crossing Borders, Dissolving Boundaries 157, 93, 2013 | | 2013 |