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Grant Andrews
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Cited by
Year
The boundaries of desire and intimacy in post-apartheid South African queer film: Oliver Hermanus’s Skoonheid
G Andrews
Image & Text 31 (1), 30-47, 2018
92018
The emergence of black queer characters in three post-apartheid novels
G Andrews
Tydskrif vir Letterkunde 56 (2), 1-9, 2019
72019
Liminal Spaces & Conflicts of Culture in South African Queer Films
G Andrews
Queer Theory in Film & Fiction. African Literature Today 36, 52-66, 2018
62018
Liminal Spaces & Conflicts of Culture in South African Queer Films: Inxeba [The Wound]
G Andrews
African Literature Today 36, 52-66, 2018
6*2018
Representation and identity in the wake of 9/11: Khaled Hosseini’s The kite runner, Mohsin Hamid’s The reluctant fundamentalist, Frédéric Beigbeder’s Windows on the world and …
G Andrews
Stellenbosch: University of Stellenbosch, 2010
62010
Teaching Gender and Sexuality in the Wake of the Must Fall Movements: Mutual Disruption through the Lens of Critical Pedagogy
G Andrews
Education as Change 24, 2020
52020
The Queer Son and the Declining Patriarch in Post-Apartheid South African Literature: The Subversive Symbol of Water in Mark Behr’s Kings of the Water
G Andrews
Journal of Literary Studies 35 (2), 85-104, 2019
32019
Queer critical literacies
N Govender, G Andrews
The Handbook of Critical Literacies, 82-93, 2021
22021
YouTube Queer Communities as Heterotopias: Space, Identity and “Realness” in Queer South African Vlogs
G Andrews
Journal of African Cultural Studies 33 (1), 84-100, 2021
22021
The Broken Mirror: A Lacanian Perspective on John Trengove’s Film Inxeba (The Wound)
G Andrews
Imbizo 10 (1), 2019
22019
Representations of fatherhood and paternal narrative power in South African English literature
G Andrews
University of the Western Cape, 2016
22016
“Working from home is one major disaster”: An analysis of student feedback at a South African university during the Covid-19 lockdown
I Fouche, G Andrews
Education and Information Technologies 27 (1), 133-155, 2022
12022
Stories of Fathers, Stories of the Nation: Fatherhood and Paternal Power in South African Literature
G Andrews
12021
Stories of Fathers, Stories of the Nation: Fatherhood and Paternal Power in South African Literature
G Andrews
University of KwaZulu-Natal Press, 2021
12021
Review: Post-Apartheid Same-Sex Sexualities: Restless Identities in Literary and Visual Culture (Andy Carolin)
G Andrews
Tydskrif vir Letterkunde 58 (1), 174-5, 2021
12021
The Multiliteracies Learning Environment as Decolonial Nexus: Designing for Decolonial Teaching in a Literacies Course at a South African University
G Andrews, M Prozesky, I Fouché
Scrutiny2, 2020
12020
Emergency Remote Teaching in Unequal Contexts: Reflections on Student Feedback on Two Online Courses during the Covid-19 Lockdown in South Africa
G Andrews, I Fouche
International Journal of Information and Education Technology 12 (6), 518-528, 2022
2022
South African queer sons challenging the white father’s legacy: forging new Afrikaner male identities in Etienne Kallos’s Die Stropers (The Harvesters)
G Andrews
NORMA, 1-15, 2022
2022
The construction of split whiteness in the queer films Kanarie (2018) and Moffie (2019)
G Andrews
Tydskrif vir Letterkunde 59 (1), 52-61, 2022
2022
Prismatic Performances: Queer South Africa and the Fragmentation of the Rainbow Nation By April Sizemore-Barber. Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance …
G Andrews
Theatre Survey 63 (1), 117-119, 2022
2022
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